So this ran in the AP today:
You can read the article here.
I’ve been sitting on the news of this project for a while now; I started the first pages some time in the depths of pandemic. I’d been reflecting on the first few pages of David Copperfield for whatever reason. It’d always fascinated me, this story of how David was born in-caul, meaning that he’d been born covered in an amniotic membrane. In the novel, the family immediately puts the caul up for sale by putting an ad in the paper. They receive a single offer from an attorney connected to a bill broking service. The Copperfields pass on the offer (which involved a certain amount of sherry as part of the bargain) and the caul is only eventually moved ten years later in a raffle. Dickens doesn’t go into much in those pages about why people wanted cauls so much, but he hints at it: they were believed, and I suppose still believed in some parts, to ward off death by drowning.
The thing that really got me, though, was the offer from the bill-broker. What was he going to do with a caul? Being in the bill-broker service, I assumed he’d probably sell it off himself to another buyer at a higher rate. And I imagined a world in which the buying and selling of cauls and other cast-off human tissue was a kind of business unto itself. And then I imagined this guy, this caul-broker, existing in a world where there was greater demand for remnants of birth because of a cratering birth rate and an increased draw to superstition. This world would inevitably be suffering under the constraints of a climate crisis and an unchecked growth of capitalism, right? I mean, aren’t we already? And so Barnaby Chambers, bio-broker, was hatched in the transformed pacific northwest of post-Cascadian secession 2057. In-caul, you might say.
There’s lots more to say and tell about the book, but I’m going to hold off on that for now. I’m just excited to announce that it has a home, and that home is the fine publishers at Putnam. Sally Kim is my editor there and was the person who reached out, quite a few years ago, and planted the seed of me possibly writing a book for adults.
What makes a book for adults versus kids? I’m not entirely sure; the books I’ve written so far have been read by adults and kids alike. I like to think that I don’t “write down” to my kid readers and I may have received some guff for that in the past. I’ve kept the audience in mind as I’ve written all of my books, but not so much that my creativity feels hampered. All this to say: I don’t want to put any age-requirements on my books, be they for adults or middle-readers. But this one’s going to live in the grown-up section of your bookstore or library, how’s that.
Thanks for your support and readership all these years, readers, I could not do it without you. This one’s out in 2025; I’ll talk more about it once the pub date approaches.
This IS exciting news! I read (well, listen to, mostly, these days) several books a month and yours never disappoint. This one sounds very interesting. It's probably way too soon to know on this, but is it possible you'll be narrating the audio version? Fingers crossed!
Thanks for sharing this news, and congrats too!
"to ward off death by drowning"
Idk this seems off brand